Steven - Computer assisted music tutor - Portland
1st lesson free
Steven - Computer assisted music tutor - Portland

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Steven will be happy to arrange your first Computer assisted music lesson.

Steven

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Steven will be happy to arrange your first Computer assisted music lesson.

  • Rate TSh 105,293
  • Response 6h
  • Students

    Number of students Steven has accompanied since arriving at Superprof

    50+

    Number of students Steven has accompanied since arriving at Superprof

Steven - Computer assisted music tutor - Portland
  • 4.9 (15 reviews)

TSh 105,293/hr

1st lesson free

Contact

1st lesson free

1st lesson free

  • Computer assisted music
  • Ableton Live

Take the guesswork and frustration out of learning music production! I'll help you compose, record, and produce your own music that you're proud of.

  • Computer assisted music
  • Ableton Live

Lesson location

Ambassador

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Steven will be happy to arrange your first Computer assisted music lesson.

About Steven

Hi there! My name is Steven Wesson. I'm a producer and composer with six years of experience creating and performing my own music. My original music has over half a million streams online and is placed in music libraries for commercial use. I use Ableton Live to produce electronic music.

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About the lesson

  • All Levels
  • English

All languages in which the lesson is available :

English

Learning to make music is a long and challenging journey, but I'm here to guide you along the way and make the process as joyful as possible.

Typically, I look at students' projects with them and show them places they can improve or develop their ideas. As I find gaps in students' skills and knowledge, I teach them what they need to know to keep their creative process moving.

We'll start out by making sure you know the basics of your DAW and have the right equipment. If not, I can guide you through getting your software and hardware set up. Then I'll give you a foundational knowledge of sound design, music theory, arrangement, and mixing. This will be your launchpad into making your own music.

Once you know the basics and are in a rhythm of finishing music, I'll get you started promoting your music so it gets heard. You'll learn the method of promoting to YouTube channels, content creators, and Spotify playlists I used to amass hundreds of thousands of streams.

With my help, you'll be making the music of your dreams before you know it!'

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Rates

Rate

  • TSh 105,293

Pack prices

  • 5h: TSh 460,658
  • 10h: TSh 855,509

online

  • TSh105,293/h

free lessons

The first free lesson with Steven will allow you to get to know each other and clearly specify your needs for your next lessons.

  • 1hr

Steven's Video

Find out more about Steven

Find out more about Steven

  • 1) When did you first develop a passion for music and your favorite instrument?

    I began playing music in my school's band program. Experimentation with piano led to dabbling to recording and production when I wanted to layer different keyboard parts together. The infinite possibilities of production really interested me, whereas I was confined to a fixed set of sounds on a keyboard. That's why my DAW is my favorite instrument. Truly limitless!
  • 2) Is there a particular type of music or artist that you listen to on a loop without it driving you crazy?

    I'm captivated by the mellower side of progressive house. Artists like Ben Böhmer and Sultan + Shepard have my whole heart.
  • 3) Explain to us the most difficult or riveting course you could personally give to a student of music.

    The most difficult thing I teach students is doing less than they think they need. The endless possibilities in the DAW present a huge challenge to producers. It's very easy to do too much and end up with a busy, shapeless, and muddy track. When you can do anything, you need to learn how to pick what's important and say no to everything else. I'm always getting better at this, so I'm learning alongside my students!
  • 4) What do you think is the most complicated instrument to master and why?

    It might not be the most difficult, but the DAW is certainly the most complicated. Every instrument has layers of nuance. The difference with a DAW is that its nuance spans everything from composition, sound design, dynamics, and tone; the list goes on. It's very difficult to reach a proficient level in all of these disciplines, let alone master them.
  • 5) What are your keys to success?

    I only have one: show up. If you commit to making music every single day, I can almost guarantee you that after five years you'll be at a professional level.
  • 6) Name three musicians you dream of meeting in your favourite bar in the early hours of the morning. Explain why.

    One is Moby. He has such a wide range of talents and genuine artistry. It would be a treat to connect with him. His music reveals himself so clearly and I want to meet the man behind it.

    Another is Porter Robinson. His music really created a new era of EDM and captures a powerful sense of joy. Sharing a night out with him would be huge.

    The last artist I'd pick is Skrillex. Of course, he broke a whole new style of dubstep, but what makes him special to me is how he's matured as an artist. A lot of artists lose the plot after their heyday, but Skrillex has done a great job of evolving his brand and sound. I think that makes him an outlier in the music world, and I want to see in what other ways he's unique.
  • 7) Provide a valuable anecdote related to music or your days at music school.

    One of my most memorable musical experiences was a DJ set where I tried stuff I wasn't ready for. I was spinning breaks: syncopated, shifting music without the long intros and outros of house music. It was a train wreck - missed transitions, tracks unsynced, silence as I failed to load up the next track in time. I was really embarrassed, but after I wrapped up, people told me they loved the artistic vision of my set. They thought my mistakes were intentional, artistic choices. This really suprised me and taught me a lesson: Our mistakes often form our best artistry, as long as they are done with enough confidence.
  • 8) What are the little touches that make you a Superprof in music?

    The most special thing I bring to students is going on their artistic journey with them. This means taking the time to understand why they make music, not just the music itself. This helps me guide budding artists through the process of finding their sound and genuinely expressing themselves through it.
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